According to a Digital Home story,
Samsung Electronics has posted an advisory on its corporate web site warning that children and teenagers may be more susceptible to health issues when viewing 3D content on their televisions.
The company also recommends that pregnant woman, the elderly and anyone under the influence of alcohol should refrain from watching programming in 3D.
Samsung also says that wearing 3D glasses for any other purpose may be physically harmful and could weaken your eyesight.
Given such concerns and the tempting thought that glassless 3D technologies may displace the current crop of 3D sets (which require rather expensive glasses) throws doubt on the rapid acceptance of 3D television.
Incidentally, while there are a number of companies working on glassless 3D TV, the fact that Sharp, one of the leading manufacturers of TV sets, recently unveiled its own entry, which is initially aimed at the cell phone and mobile device market. As DailyTech reported earlier this month that:
… Sharp aired its stunning new 3D display. The mobile display offers switchable 2D and 3D display modes and best of all does not require the user to wear any goofy glasses.
The television manufacturing industry at CES 2010 revealed itself to be deeply enamored with 3D sets. However, doubts remain over whether users will be willing to don special glasses every time they want to watch events broadcast in TV.
A free preview screening of Waking Sleeping Beauty, Don Hahn’s documentary on the Disney animation renaissance that started in the 1980s will be held at the Atlanta campus of the Savannah College of Art and Design, 1600 Peachtree St., in Event Space 4C, on Wednesday, April 14th, at 7:00 PM. The film will be presented by Peter Schneider, the film’s producer and former President of Disney Feature Animation.
The Japanese-language edition of Astro Boy and Anime Come to the Americas, by Fred Ladd (with my assistance) has been published by NTT in a translation by Kumi Kaoru, the author of two books on Hayao Miyazaki. The Japanese title is Anime ga Anime ni naru made (How the Japanese Cartoon Became “Anime”’).
Kumi-san emailed me that “Nihon Keizai Shimbun (the Wall Street Journal of Japan) published a brief notice last Sunday, which he roughly translated (with some editing on my part) as:
Osamu Tezuka’s Tetsuwan Atom, which began in 1963, appeared in the US in the autumn of the same year as Astro Boy, and turned out to be a precedent-setting event for the international reputation of Japanese animation. Mr. Ladd, who directed the English dubbed version, wrote this memoir with the support of Mr. Deneroff, cartoon scholar. It is full of previously unknown stories about the very early days of anime’s English adaptation, such as how the adaptation staff beat their brains to soften the “violence” in Atom so that it could meet American TV standards.
It is available from Amazon Japan here (and presumably other outlets) for ¥2,940 (about $31.50).