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Animation Evolution Update

June 26th, 2010 · 2 Comments · Animation conferences

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Animation Evolution, the 22nd Society for Animation Studies conference, which will hold forth between July 9-11, and is being hosted by the Edinburgh College of Art, is coming up shortly, and I will be there to present a paper I am writing with my wife, Vickie. As someone who has been involved with the Society from its beginnings, I must admit to being a bit prejudiced, but for animation scholars and some filmmakers, it seems like the place you want to be.

Animation Evolution maybe the busiest of all SAS conferences, at least in terms of papers being presented — I counted 78, which is almost twice that of the first SAS conference back in 1989, and even more than last year’s event which I organized.  There are papers on such topics as Guinea Coast Animation, Animated Gay Porn, Soviet Animation of Brezhnev Period, The Nintendo Wii, Motion Capture, Anij in Ghana , Music and Norman McLaren, as well as panels on Animated Documentaries, Animation in Iran and Theorising Animation and Death.

The paper Vickie and I will be giving, “Crossing Boundaries: Communities of Practise in Animation and Live-Action Filmmaking,” is scheduled for Friday, 15:45-17:00, as part of a panel on “Live Action and Digital Cinema” (we’re talking about how digital technologies have enabled live-action directors to do animation).

In addition to the paper sessions, the conference opens Friday with a roundtable session on “Norman McClaren’s Legacy,” which looks forward to “the centenary of Scotland’s most famous animator in 2014.” That evening there is a retrospective of Scottish Animation presented by the Scottish Animation Network at the Filmhouse.

Paul Wells

The closing keynote address will be given by Paul Wells, Director of the Animation Academy at Loughborough University; Paul is easily one of the most prolific and influential writers on animation. His books include Understanding Animation (which I have used in teaching animation aesthetics), Animation: Genre & Authorship, and Drawing for Animation’ (with Joanna Quinn); in addition, he will be editing the forthcoming Animation Practice, Production & Process, a new “journal presenting, analysing and advancing how animation is created and shown” to be published by Intellect.

So, if you’re planning to be in the Edinburgh area early next month, by all means come.

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