Savannah International Animation Festival 2011

SIAF 2011 Poster

My friend and colleague Hal Miles and wife Nancy, through Hal Miles Imagimation Studios, are once again putting on the Savannah International Animation Festival, to be held February 4-5, 2011 at the Coastal Georgia Center, 305 Fahm Street, Savannah, GA  31401.  The festival is accepting entries until December 1st. The submission categories are: Stop Motion Animation, Computer Animation, Traditional Animation, Experimental Animation, Anime, Television Series Animation, Television Commercials Animation, Web Animation, Gaming Animation, and Student Film.

The Festival itself, in addition to screening films in competition, will also be putting on seven workshops and panel discussions featuring  professionals and historians from animation, visual effects and gaming. Films which win the jury and audience awards will be presented with the Reynaud trophy, named in honor of Charles-Émile Reynaud, creator of the Théâtre Optique and inventor of the Praxinoscope.

Richard Williams’ Circus Drawings’ Silent Premiere

Richard Williams at Pordenone 2010

I must admit to being a bit surprised when I discovered that Richard Williams just premiered his long-dormant short, Circus Drawings on the opening night of Le Giornate del Cinema Muto,  XXX ed. (The 30th Pordenone Silent Film Festival) held October 1-8. Pordenone has long ranked as the world’s preeminent silent film event and Williams seems to have a long-standing relationship with it. For instance, in 2003, he gave their Jonathan Dennis Memorial Lecture, a talk by “people who are pre-eminent in some field of work associated with the conservation or appreciation of silent cinema.”

According to the catalog,

[Williams] has always insisted that the silent cinema is a profound influence on the animator’s work, and it is gratifying to think that the Giornate experience may in some small degree have stirred his decision to return to Circus Drawings.

“In 1953 I was a young artist of twenty, living in Spain near a village circus, where I drew the acrobats, clowns and onlookers.

“Twelve years later I filmed my drawings to an original score but didn’t complete the film.

“Now that I’m 77, I’ve finished the film by animating my original drawings.” …

On release, the film will be shown with sound, with Richard Rodney Bennett’s 1965 score. However, uniquely for this performance, Richard Williams wishes to screen the film as a “silent”, with live piano accompaniment by Maud Nelissen.

As far as I can tell, the only online review of the film has been by Antti Alanen here, which is mostly devoted to quoting the catalog’s description, adding:

First the camera moves inside the 1950s drawings, then the drawings get animated, moving from black and white to colour. A fine animation.

Actually, the festival debuted two Williams films, the second being this year’s signal (“logo-trailer”) film.  Williams also got to play trumpet in the pit band opening night for Buster Keaton’s The Navigator.

Speaking of contemporary animators at Pordenone, Peter Lord gave the  2004 Jonathan Dennis Lecture, while John Canemaker, who is something of a scholar, did the honors in 2007, when he also received their Jean Mitry Award for his “contribution to the reclamation and appreciation of silent cinema.”

The photo of Williams is from the festival website.