This year’s Society for Animation Studies conference, “The Rise of the Creative Economy: Digital Animation, Visual FXS, and Allied Technologies,” March 18-20, was hosted by the Athens campus of University of Indianapolis, under the guidance of Romana Turina. I was there to present a paper entitled “Television Animation on the Cusp of the American Animation Renaissance,” part of a book I’m writing on the origins of the current animation revival in America. But I, along with many others, were also there for the camaraderie and, of course, to be in Athens. It was a somewhat more modest event than the last two conferences, but it had its own distinctive character. Then, again, as the founder of SAS, I’m a somewhat prejudiced in these matters. In any case, I thought I would take this opportunity to share a few pictures I took.
Here I am with Mohamed Ghazala (Minia University), Director of ASIFA Egypt, who proudly took part in his country’s recent revolution. He was also happy that Egyptian animator Ihab Shaker was chosen by ASIFA-International to design this year’s International Animation Day poster, the first time someone from Africa or the Arab world has been so honored. ASIFA-Egypt seems be a particularly active chapter and Mohamed also seemed interested in hosting a future SAS conference. (A conference in Egypt seems like a no brainer to me.)
The ever charismatic Paul Wells (Loughborough University) in conversation with Marinchevska Nadezhda (Institute for Art Studies, Sofia). Paul’s talk was called “’Let them Eat Sushi!!’—The Seven Deadly Sins of Animation Screenwriting”; he also announced that the first issue of the new journal he’s editing, Animation Practice Process and Production, is finally in galleys. (I have an article in a future issue based on a paper I wrote with my wife, Vickie, for last year’s SAS conference.) Marinchevska, who spoke on “Metamorphosis—Between Mythological Rebirth and Modernity,” last attended an SAS conference in 1990 at Carleton University, in Ottawa, when her country was still part of the Soviet bloc. Having a conference in Athens certainly made it easier for people like her and Mohamed Ghazala to attend.
Kirsten Thompson (left) from Wayne State University, who is currently writing a book on Color and Classical Cel Animation. At right is Laura Ivins-Hulley, a doctoral student at Indiana University, who spoke on “Narrowcasting Feminism—MTV’s Daria.”
Javad Khajavi. a graduate student at Tarbiat Modares University, in conversation with David Williams. At the end of last year, Queen Elizabeth II appointed him to “the Most Excellent Order of the British Empire “For services to Media Studies in the North East,” which may very well be a first for someone in animation studies. Javad’s paper was “Codes of Reality, Borders of Illusion: A Social Semiotic Study of Reality in Animated Documentary.”
Mark Langer (left), Carleton University, Ottawa, spoke on “Walt Disney’s Post-Death Authorship,” with Sheridan College’s Tony Tarantini, who talked about “Pedagogic Integrity: Mediating the Institutional Mandate, Student Expectations and Industry Demands.”
Ann Owen, of University College Falmouth, who spoke on “Digital Animation and the Accidental Mark” with Charles daCosta who, in lieu of presenting a paper this year, moderated several panels.
Last but not least, tireless conference organizer Romana Turina, who also took time out to present a paper on “Animation screenwriting—Visual Language and the Translation of Emotions.”
Anyway, I look forward to next year in Melbourne.