Two forthcoming animation events in Los Angeles caught my eye. The first is the 2nd AniMazing Spotlight Animated Shorts Festival, which will be held Saturday and Sunday, September 4-5, at Woodbury University, Burbank, under the able direction of Tee Bosustow. (Tee is the son of UPA co-founder Stephen Bosustow; the festival website also hosts the all-important UPA Legacy Project website; I should also note that I am friends with Tee’s brother Nick.)
In addition to screening of films in competition, there is Tom Sito speaking on “Animation & Politics: the Blacklist, the Mafia and beyond,” a presentation by the UCLA Film Archive of the work of computer animation pioneer Robert Abel, Teddy Newton giving a behind-the-scenes look at Pixar’s Day & Night, “The Legendary Fred Crippen” (UPA & Roger Ramjet to Sesame Street), “More Women than Ever” presented by Women in Animation, etc., etc.
On September 23rd, at 7:00 p.m., the Center for Visual Music, in Los Angeles, will be putting on “A Fischinger Celebration—Benefit Art Exhibition and Reception, Celebrating Elfriede Fischinger on her 100th Birthday.” Though not as well-known as her husband Oskar, the pioneer abstract animation filmmaker, Elfriede Fischinger was an important figure in animation not only for her tireless efforts to promote her husband’s films, but also for her support of filmmakers and a number of animation-related organizations. Thus, when the Society for Animation Studies held its first conference at UCLA in 1989, it was not a surprise that Elfriede showed up. I got to know Elfriede in the last decade of her life and always found her an inspiration. In a very real way, her home was a salon for animators and filmmakers, and she is well-deserving of this tribute.
The Center notes,
The evening features an Exhibition of selected photographs, artifacts and Paintings by Oskar Fischinger, a Wine Reception, and a Screening of Home Movies and Videos of Elfriede. Highlights include Oskar’s first Stereo Painting (1949), The Lumigraph film (1970) made by Elfriede, and unshot animation drawings by Oskar. Proceeds from the evening, which includes a silent auction, will benefit the Fischinger preservation, conservation and digitization work being done by Center for Visual Music, a 501(c) 3 nonprofit Los Angeles archive.
John Kricfalusi, among others, said that the most important qualification for an animator is the ability to draw. If so, you can see how well qualified Atlanta animators are starting this Saturday, when ASIFA-Atlanta will debut its first annual art show of work by its members; the exhibition, featuring work inspired by the Golden Age of Comics and Cartoons, will be at the Eyedrum Gallery (290 Martin Luther King Jr. Dr., SE, Suite 8, Atlanta, GA 30312). The collection will feature contributions from over three dozen artists, the majority of which will also be available for sale. The show has its gala opening on Saturday evening at 8:00 pm; admission is $7.00, but is free for Eyedrum and, ASIFA members.