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	<title>harvey @ deneroff.com &#187; Library of Congress National Film Registry</title>
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	<description>Comments and Thoughts on Animation and Film</description>
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		<title>2009 Library of Congress National Film Registry</title>
		<link>http://deneroff.com/blog/2009/12/30/2009-library-of-congress-national-film-registry/</link>
		<comments>http://deneroff.com/blog/2009/12/30/2009-library-of-congress-national-film-registry/#comments</comments>
		<pubDate>Wed, 30 Dec 2009 20:27:44 +0000</pubDate>
		<dc:creator>Harvey Deneroff</dc:creator>
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		<category><![CDATA[Library of Congress National Film Registry]]></category>

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The 25 films selected by the Library of Congress for the 2009 National Film Registry were announced today and include the usual mix of classic Hollywood, independent , documentary, amateur and student films. (The Library’s press release announcing the list can be found here.) Also as usual, I found the selection a mixed bag, but [...]]]></description>
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<p><a href="http://deneroff.com/blog/wp-content/uploads/2009/12/LittleNemo.jpg"><img style="border-bottom: 0px; border-left: 0px; display: inline; border-top: 0px; border-right: 0px" title="Little Nemo" border="0" alt="Little Nemo" src="http://deneroff.com/blog/wp-content/uploads/2009/12/LittleNemo_thumb.jpg" width="502" height="356" /></a> </p>
<p>The 25 films selected by the Library of Congress for the 2009 National Film Registry were announced today and include the usual mix of classic Hollywood, independent , documentary, amateur and student films. (The Library’s press release announcing the list can be found <a href="http://www.loc.gov/film/NFR2009.pdf">here</a>.) Also as usual, I found the selection a mixed bag, but among the selections I have no quibble with are Sidney Lumet’s <em>Dog Day Afternoon </em>(1975) (a particular favorite of mine) and Winsor McCay’s first film, <em>Little Nemo</em> (1911) (a pick that was way overdue; pictured above is one of the film’s most magical moments).</p>
<p>Animated films have almost always made the cut since the Registry was first established in 1989, but they do seem more prevalent this year and include: Sidney Peterson’s <em>The Lead Shoes</em> (1949), (a live-action/animation combo that is more of a trick film), Sally Cruikshank’s <em>Quasi at the Quackadero </em>(1975), Janie Geiser’s <em>The Red Book</em> (1994), and Helen Hill’s <em>Scratch and Crow</em> (1995) (a student film made at CalArts; the other student effort this year is Martin Brest’s <em>Hot Dogs for Gauguin </em>[NYU, 1972], “with a cast including Danny DeVito and Rhea Perlman in her film debut.”)</p>
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